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Van Halen Honey Baby Sweetie Doll Bass Tab

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2012 album by Van Halen

2012 studio album by Van Halen

A Different Kind of Truth
A painting of a train
Studio album past

Van Halen
Released Feb 7, 2012 (2012-02-07)
Recorded Nov 2010 – August 2011, early on January 2012[a]
Studio 5150 and Henson Recording Studios, Hollywood, California
Genre
  • Hard rock
  • heavy metallic
Length l:12
Characterization Interscope
Producer
  • Van Halen
  • John Shanks
Van Halen chronology
The All-time of Both Worlds
(2004) 		A Different Kind of Truth
(2012) 		Tokyo Dome Live in Concert
(2015)
Singles from A Different Kind of Truth
  1. "Tattoo"
    Released: Jan x, 2012
  2. "She's the Woman"
    Released: February 28, 2012

A Different Kind of Truth is the twelfth and terminal studio album by American stone band Van Halen. Released on February 7, 2012 by Interscope Records, this is Van Halen's only studio album on Interscope and its first full-length anthology of studio material with lead singer David Lee Roth since 1984. Likewise, A Different Kind of Truth was Van Halen's start studio album since 1998's Van Halen III, as well every bit their only studio anthology recorded without bassist Michael Anthony, who had played bass on all of the band'due south previous albums; Eddie Van Halen's son Wolfgang replaced Anthony for the album, making this his only studio album with the band. Information technology would also be Van Halen's final studio album before Eddie's death and the grouping's subsequent disbandment in 2020, every bit well as the concluding studio anthology for Roth before his retirement in 2022.

A Different Kind of Truth was recorded at Henson Recording Studios and Eddie Van Halen's own 5150 Studios and produced by John Shanks. 7 of the album'due south 13 songs are musically re-worked and lyrically re-written songs that had been demoed in the late-1970s/early 1980s, only never officially released. The anthology received positive reviews upon release, with several writers referring to it every bit a return to form, and multiple publications ranked it as i of the best albums of 2012. It was also a commercial success, debuting in the top ten on numerous record charts. It debuted at No. 2 on the Billboard 200 and, by the end of 2012, had sold in excess of 411,000 copies in the The states alone. The anthology was promoted with an arena tour.

Background [edit]

The genesis for this anthology goes back as far as 2000, when the band briefly reunited with David Lee Roth after scrapping Dearest Again, the second anthology that would accept featured Gary Cherone. The band, with Michael Anthony, returned to the studio to write and record some of the tracks that would eventually find their way onto A Dissimilar Kind of Truth. Most of the tracks written/recorded were originals and not the reworked tracks spearheaded by Anthony's replacement on bass, Wolfgang Van Halen. A source cited in the article claims to have heard 2000 recordings of futurity ADKOT tracks "Honeybabysweetiedoll", "As Is", "Blood and Burn" and "The Trouble with Never".[1]

In 2007, Van Halen reunited with original lead singer David Lee Roth – who had left the ring in April 1985, at the peak of their global popularity – for a North American Tour. This tour added bassist Wolfgang Van Halen, the then-sixteen-year-old son of guitarist Eddie Van Halen and actress Valerie Bertinelli, forcing out original bassist Michael Anthony, who would get on to course both Chickenfoot and Sammy Hagar and the Circle with Van Halen'southward second atomic number 82 vocalist, Sammy Hagar. The reunion bout consisted of 74 shows from September 2007 to June 2008, and became the band'south highest-grossing tour of its 30-year history, earning over $93 1000000.[2] Eddie Van Halen was reluctant almost the possibility of recording new material with Roth in 2009, citing the poor reaction to the three new songs recorded with Hagar for the 2004 compilation Best of Both Worlds.[3] After Wolfgang became enthusiastic about recording a new Van Halen album, Eddie's opinion inverse: "We're doing this [album] for united states of america."[4]

Bassist Wolfgang Van Halen started work on the album past searching through the ring'south demo archives.

Eddie, Wolfgang and Alex Van Halen began jam sessions at the former'south 5150 Studios three months after the bout's completion. During this time, Wolfgang discovered rough, unreleased demos from the band's athenaeum. After listening to these and believing they had potential, he brought them to Alex and Eddie to rework and refine. The get-go of these tracks, "She'due south the Woman," was completed by August 2009. It had originally been demoed past the band in the mid-1970s.[five] Roth decided to join the project afterward hearing this song, too as two other reworked tracks: "Let's Become Rockin'" – after renamed "Outta Space" – and "Bullethead."[4]

Wolfgang's original intention with the anthology was to create a collection of previously released "b-sides" (According to Eddie, this would hateful deep album tracks such equally "Drop Expressionless Legs" and "Daughter Gone Bad") along with 3 reworked demos, with Eddie proverb: "It would [have been] a record of our more hardcore songs and none of the popular stuff. That was the initial plan, but the deeper we dug, the more we found. At the same time I was writing new songs. Dave got very excited about that. We all did. We ended up recording demos for 35 songs."[iv] After deliberating over whether to cocky-produce the anthology or choose a producer from a list that included Rick Rubin and Pat Leonard (who had interest on their scrapped album Honey Over again), Roth suggested John Shanks. Shanks liked the outset three songs, and agreed to produce the album, working alongside Wolfgang to pick the demos that would be developed into the album'due south tracks.[iv] While all of Van Halen's albums since 1984 had been produced inside 5150, Roth persuaded the band to piece of work at Henson Recording Studios—where he had been recording for more a decade.[half-dozen]

Recording and production [edit]

"I wanted to remind my dad of the mindset he was in when he wrote songs like 'Runnin' with the Devil' and 'Dance the Dark Away'. I thought that recording those old songs would get in easier for dad, Dave and Al to put their minds where they were back so and get back to writing how they would have then."

 —Wolfgang Van Halen on recording older songs[5]

By mid-January 2011, the band had moved into Henson Studios with Shanks, staff engineer Martin Cooke and engineer Paul David Hager.[6] The band would tape music for 12 hours a day, 5 days a week, with Roth coming in to rail his vocals at night.[7] The instrumental tracks were completed within three weeks. Eddie said that he was relieved to relinquish some of the product work to his son, who was considered by the ring to exist acting in a co-production role: oftentimes talking to Shanks, being consulted past his father on the musical management and developing the songs.[iv] [5] Along with creating new bits, such as a new breakdown on "She'due south the Woman"—every bit the original ended up being used on Fair Warning 's (1981) "Mean Street"—and an arrangement for "Stay Frosty,"[four] Wolfgang improvised some bass sections, such as the capo intro to "Chinatown."[five]

Past the terminate of March 2011, the band returned to terminate the tape at 5150 with engineer Ross Hogarth.[6] Almost of the piece of work at 5150 was for guitars and bass, as Eddie "couldn't hear them at Henson the way I'thou used to." Both he and Hogarth felt that attempts at mixing there were not progressing due to audio-quality issues. Eddie attributed this to the tape machines at Henson, claiming that: "Everything ended up sounding like it had a sock over it."[4] The final mix took place over a menstruum of half dozen weeks in the summer of 2011, with each song taking a day to mix. Hogarth indicated that because the process was done at a mixing console, "Nosotros couldn't move on to the adjacent song until a mix had been approved by everyone and could go off the desk-bound." Hogarth would kickoff with the drums, calculation bass and guitar to finish a backing track, which would be complemented with multing (hiving off unlike sections of a given function to dissimilar tracks) and parallel compression. It was then finished past bringing in Roth's vocals, backing vocals, and further details such as ad libs, screams and guitar solos.[six]

Hogarth aimed to "bring Ed's guitar sound into the mod era, but maintaining all the Dna of the past." He suggested that the guitar sound exist split naturally between stereo channels, instead of separating atomic number 82 guitar to the left channel and panning furnishings to the correct by using two guitar amplifiers placed far apart. The idea was to take a guitar sound "that was wide and mono, and not digital delay-driven, and information technology's what yous hear on the tape, with only a few overdubs." A more-complex structure would be utilized for Wolfgang's bass, equally the ring wanted "a bass sound that covered the whole spectrum, from loftier to low and clean to dirty," and his instrument was recorded by upwards to eight separate microphones. A multi-mic set-up was as well employed for Alex's drums, with most of the final drumming coming from overhead microphones. Roth's vocals were all recorded at Henson, without compression.[6]

Composition and manner [edit]

A Dissimilar Kind of Truth was described by Roth every bit "a sort of collaboration with [Van Halen's] past." Seven of the album'due south tracks are based on cloth which Roth suggested dated dorsum to betwixt 1975 and 1977,[viii] while Eddie indicated that others had been composed "when I was still in loftier schoolhouse and even inferior high."[4] "Blood and Fire" dates dorsum to 1984. An instrumental version of the song, titled "Ripley," appeared in Eddie'southward score for the film The Wild Life.[nine] The original title had been inspired past the Ripley guitar used by Eddie on the demo, and he sent that guitar back to Steve Ripley for repair so that it could be used on the album version.[4] The song was demoed in 2000 along with "As Is", "Honeybabysweetiedoll" and "The Problem with Never", leaving "You and Your Blues", "China Town" and "Stay Frosty" as the only songs on the album that cannot be traced back to before sessions.[x]

Roth rewrote the lyrics for most tracks, as he wanted to comprise a bespeak of view from his current personal life.[6] He declared that: "All music is autobiographic. Particularly when it's not meant to be," adding that by retooling the songs "there is a torso of new that meets halfway there, that I call up makes very colorful sense."[11] Simply the lead single "Tattoo" contains a synthesizer, which was played by Roth. Ii other songs, "You and Your Dejection" and "As Is," have a processed guitar that sounds similar a synth.[6] Roth also performs acoustic guitar on the intro for "Stay Frosty"—a song he had written which was re-arranged by Wolfgang, and is reminiscent of "Ice Cream Homo," a track from Van Halen's 1978 debut.[4] Among the furnishings units used by Eddie on the album were his signature model MXR Phase 90, a Whammy pedal, and a Wah-wah pedal. The latter is prominently featured on the "kind of Hendrix-ish" "The Problem with Never."[4]

Release and packaging [edit]

Van Halen amicably split from long-fourth dimension label Warner Bros. Records in 2001,[12] although they would afterward sign a one-record bargain with the characterization shortly afterwards for the 2004 release The Best of Both Worlds.[xiii] The ring briefly entered into negotiations with Columbia Records, but these stalled later Roth indicated he would not sign with the label. In Nov 2011, the band signed with Interscope Records, later on its chairman Jimmy Iovine became personally involved in negotiations.[14]

"Tattoo" was released as the album's lead unmarried on January 10, 2012.[fifteen] One day after its release on iTunes, it was the No. 1 selling rock song in the Usa, Canada, Finland and the Netherlands, while as well charting in Sweden, Kingdom of belgium, Germany and the UK.[xvi] By January 23, the vocal peaked at No. 1 on Billboard's Hard Rock Singles nautical chart, becoming the No. one virtually played song at classic rock radio, as well as the near added vocal at mainstream and active rock radio.[17] Two days later, excerpts of both "Tattoo" and "Stay Frosty" were featured on CSI: Crime Scene Investigation.[18]

The tape was released on February 7, 2012 in both standard and deluxe edition versions, with the latter containing a bonus DVD titled The Downtown Sessions. This DVD included acoustic versions of "Panama," "Yous and Your Blues" and "Beautiful Girls."[19] A performance of "You Really Got Me" from this audio-visual session was posted online to promote the album.[20] A double gatefold vinyl edition of the album was sold exclusively through Live Nation Entertainment.[21] On February 28, "She'due south the Adult female" was serviced to radio as the 2nd single.[22] Its music video was released online on Apr 13,[23] and on May 4 a promotional vinyl 7-inch single was serviced to 83 independent record stores to be given with purchases of A Different Kind of Truth.[24] The band members opted to avoid excessive promotional press, an mental attitude that Roth described as "a sterling statement" on them non following "then many people on television telling you why you should buy something".[25]

The embrace artwork was designed past Los Angeles-based Smog Design, post-obit a concept sent by Roth. Smog co-owner John Heiden picked the paradigm, featuring a New York Key Railroad J-3A Dreyfuss Hudson steam locomotive, photographed by Robert Yarnall Richie, from the Southern Methodist University's photograph library, stating he chose information technology because "Richie's angle on the photo makes it look like the locomotive is in motion and coming off the page."[26] Bated from the reversed angle of the railroad train, the artwork shares similarities to the 1975 Commodores album Movin' On.[27] The booklet includes Roth's manus-written lyrics for the songs.[28] Regarding the championship, Eddie stated that he liked information technology because "at that place's ever their reality of what other people think, and there's merely the different kind of truth, which is the existent truth."[29]

Tour [edit]

After performing 3 warm-up shows at Buffet Wha? in New York City, Henson Studios in Hollywood, California, and The Forum in Inglewood, California, Van Halen began their A Different Kind of Truth Bout in Louisville, Kentucky on February 18. This tour consisted of 46 shows, catastrophe on June 26 in New Orleans, and was the eighth-most-lucrative concert tour of 2012, with a total gross of $54,425,548 and omnipresence of 522,296.[30] A second North American leg was cancelled, with the band challenge exhaustion.[31] This was followed past the postponement of three Japanese concerts, as Eddie underwent emergency surgery to care for diverticulitis.[32]

In 2013, Van Halen performed the rescheduled Japanese concerts, along with headlining gigs at three festivals: Rock Music Festival in Sydney (the ring's first concert in Australia since 1998),[33] Rock USA at Ford Festival Park in Oshkosh, Wisconsin,[34] and the California Mid-State Fair in Paso Robles.[35]

Reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [36]
The A.Five. Club B[37]
Boston Herald A−[38]
Chicago Tribune [39]
Entertainment Weekly A−[41]
The Guardian [40]
Rolling Stone [42]
Spin seven/10[43]
Sputnikmusic [44]
Us Today [45]

Upon its release, A Unlike Kind of Truth received positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 73, based on 21 reviews, indicating "generally favorable reviews".[46] It also holds an amass score of half-dozen.9 out of ten at AnyDecentMusic?, based on 16 reviews.[47]

The Guardian gave the album four stars out of a possible five, calling it was a "oft thrilling return" with songs that "crepitation, fizz, and burl with priapic exuberance".[40] Besides, AllMusic author Stephen Thomas Erlewine rated the album four stars out of five and wrote: "Van Halen are using their history to revive their nowadays and they succeed surprisingly well on A Different Kind of Truth."[36] The A.5. Guild 's Steven Hyden stated, "Afterwards so many years of fumbling dysfunction that reduced the once-proud Van Halen name to a laughingstock, A Different Kind Of Truth matters because it'due south a reminder of why this band mattered," while noting that, "Roth deserves some of the credit for that. For whatsoever reason, when Roth is in the ring, Eddie Van Halen plays guitar like the earth wants him to play guitar."[37] Rolling Rock gave the album 3.5 out of 5 stars, with critic Rob Sheffield stating, "Van Halen'southward 'heard you missed us, nosotros're back' anthology is not only the most long-awaited reunion articulation in the history of reunion joints, information technology is—confronting all reasonable expectations—a existent Van Halen album."[42]

William Clark of Guitar International gave the anthology a positive review, and said that the tape features "some of the most elaborate, expansive, and simply wowing guitar playing that Eddie has passionately poured into a unmarried album".[48] Spin wrote, "the frantic, haute-for-teacher 'As Is' and the mid-tempo shoulda-been-the-single 'You and Your Blues' tin hang with any heavy-breathing romp they made in their heyday."[43] Jerry Shriver of United states of america Today gave the album 3.v/4 stars, proverb that "this is the true kicking in the barrel that arena rock badly needs."[45] Yet, in the paper'southward yr-terminate retrospective, Edna Gundersen listed A Different Kind of Truth amongst the overrated albums of 2012, stating that "the reheated meat-and-potato riffs of Van Halen's past had critics swooning and fans panting, but vanished from the charts after the band's bout was scrapped" and the album got close out of Grammy Honour nominations.[49] Guitar World picked A Different Kind of Truth as the best album of 2012.[50] Rolling Stone named "Stay Frosty" the 16th all-time song of 2012,[51] and the magazine'southward readers ranked it the fifth all-time anthology of the year.[52]

The record was likewise a commercial success. A Different Kind of Truth entered the The states Billboard 200 at No. two, selling 188,000 copies in its beginning six days of release, becoming the group's 14th consecutive top x anthology in the US.[53] By the terminate of 2012, the album had sold 411,000 copies in the US,[54] making information technology the 71st best-selling record of the twelvemonth,[55] and the third highest-selling hard rock anthology.[56] The record as well debuted at No. vi on the UK Albums Nautical chart with first-week sales of 14,040 copies, making information technology their highest charting album ever in the state.[57] In Nihon, information technology debuted at No. 3 on the Oricon chart, and was one of the few albums by western artists to appear on their year-end tally, finishing at number 89 with 79,517 copies sold.[58]

Track listing [edit]

All tracks are written by Van Halen/Roth.

A Different Kind of Truth rail listing
No. Championship Length
1. "Tattoo" iv:44
ii. "She's the Adult female" 2:56
iii. "You and Your Blues" 3:43
four. "China Town" iii:14
5. "Blood and Fire" four:26
half-dozen. "Bullethead" 2:30
7. "As Is" 4:47
8. "Honeybabysweetiedoll" 3:46
9. "The Trouble with Never" 3:59
ten. "Outta Space" 2:53
11. "Stay Frosty" 4:07
12. "Big River" 3:l
13. "Beats Workin'" 5:02
Total length: fifty:12
The Downtown Sessions – Deluxe edition DVD
No. Title Length
ane. "Panama" 5:33
2. "You lot and Your Dejection (Intro)" 3:20
3. "You and Your Dejection" iii:32
4. "Cute Girls" 3:41
Total length: 16:eleven

Personnel [edit]

Van Halen

  • David Lee Roth – lead vocals, synthesizer on "Tattoo", acoustic guitar on "Stay Frosty"
  • Eddie Van Halen – guitar, backing vocals
  • Wolfgang Van Halen – bass, backing vocals
  • Alex Van Halen – drums

Production

  • Dan Chase – digital editing
  • Martin Cooke – engineer
  • Paul David Hager – assistant engineer
  • DeGolyer Library, SMU – cover image courtesy
  • Bernie Grundman – mastering
  • George Hernandez – Inner sleeve design
  • Ross Hogarth – mixing
  • Robert Y. Richie Collection – cover image courtesy
  • John Shanks – producer
  • Smog Design – album cover
  • Peter Stanislaus – banana engineer
  • Van Halen – producers, mixing

Charts [edit]

Certifications [edit]

Notes [edit]

  1. ^ Although the anthology sessions did not starting time until the 2010's, some of the tracks were recorded as early on as 2000 when the full 1984-era lineup briefly reunited. See: https://ultimateclassicrock.com/van-halen-2000-roth-album/

References [edit]

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Source: https://en.wikipedia.org/wiki/A_Different_Kind_of_Truth

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